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StudioLive® 32SX Digital Console Mixer

StudioLive® 32SX Digital Console Mixer - Main image
$1149.99 $2299.99 In stock

Category: Mixers

The StudioLive® 32SX is a 40-channel digital mixer in a compact 25-fader chassis. Its split-fader workflow lets you control 32 inputs across two layers, with eight faders dedicated to mix outputs for quick access. With 16 FlexMixes configurable as auxes, subgroups, or matrix mixes, plus four effects buses and four subgroups, your routing options are nearly limitless. Manage groups easily with 24 DCAs. Fat Channel processing delivers vintage EQ, classic compressors, and more on every input and output.

Equipped with a full 32 XMAX-R mic preamps and 16 Mix Outputs onboard, the StudioLive 32SX makes it easy to expand your system thanks to rock-solid audio networking. You can add remote I/O with NSB-Series stage boxes, personal monitor mixers with EarMix 16M, and even connect another StudioLive mixers for broadcast, monitor position, and more all with an Ethernet cable. Add 16 channels of Dante I/O with AVB-D16. No other system is as flexible.

Its unique 64x64 USB interface enables effortless multitrack recording—capture all channels plus a stereo mix to USB, SD Card, or both simultaneously. Playback streams launch instantly with one button—no extra routing needed. A free license for both Capture multitrack recording software and Fender Studio Professional is included with purchase.

A free firmware update adds Milan certification, an improved limiter with variable release, and expanded Digital Reverb XL controls with new presets—offering enhanced power and precision. With this firmware update, you also get the 7 additional State Space Models EQs (10 total) and 8 analog-inspired compressors (11 total) from the Fat Channel Collection installed standard, adding even more processing to create studio-quality mixers for your live session.

Customer Reviews (4.5 / 5 · 2 reviews)

Thomas M. ★★★★★

Coming from an analog board, the 40 channels on this 32SX feel like a huge upgrade, and I love that I can see all 32 inputs across the two layers without scrolling through menus. The 25-fader chassis is surprisingly compact for that much routing power — fits perfectly in my rack and leaves room for

Amelia W. ★★★★☆

The split-fader workflow took me a day to get used to, but now that I’ve got my inputs on one layer and my mixes on the other, it’s honestly a breeze for live shows. The 32 inputs on 25 faders feel a bit tight at first, though—I just wish the chassis had room for a few more physical faders. Still, i